INTERNATIONAL CONFERENCE SEMIOSIS IN COMMUNICATION
Culture, Communication and Social Change
Bucharest, 4-6 June, 2020
The third edition of the International Conference Semiosis in Communication: Culture, Communication and Social Change will be organized by the National University of Political Studies and Public Administration, Bucharest, Romania (SNSPA), through the Applied Semiotics and Communication Lab (ASCL) – affiliated to the Centre for Research in Communication (CRC) of the Communication and Public Relations Faculty, FCRP, SNSPA – in participation with:
– Department of Semiotics, Faculty of Arts and Humanities, Institute of Philosophy and Semiotics, University of Tartu (Estonia);
– SemioLab – Semiotics Laboratory affiliated with Aristotle University in Thessaloniki (Greece);
– Southeast European Center for Semiotic Studies (SEECSS) at New Bulgarian University (NBU), Sofia (Bulgaria);
– Semiotics and Visual Communication Research Lab at Cyprus University of Technology;
– National School of Anthropology and History (ENAH), Mexico City (Mexico);
– Romanian Association of Semiotic Studies (ROASS) and under the auspices of the International Association for Semiotic Studies (IASS-AIS). It will be held in Bucharest, Romania, from the 4 th to the 6 th of June, 2020.
This conference explores the role of semiosis in communication. Objects of interdisciplinary knowledge par excellence, semiotics and communication are complementary ways of world mastery, of the big game, just like Solomon Marcus (2011) would say. The main objective of the International Conference Semiosis in Communication is to emphasize the importance of semiotic type queries in the communication sciences and to stimulate the exchange of ideas in these fields and areas of academic research. The theme proposed for this third edition of the international conference Semiosis in Communication is Culture, Communication and Social Change and focuses on the role of culture in social change, on the contemporary cultural dynamics, as well as on the necessity of studying and understanding the cultural environment in relation to the technological advancement (digitalization of culture, media and digital literacy and emergence of transmedial spaces of communication, etc.).
The conference is organized in several panels, which will address specific topics, such as: Semiotic of Culture/Cultural Semiotics; Semiotics & Communication, Relations between Media; Culture & Society; Semiotics, Cultural Diversity & Intercultural Dialogue; Semiotics of Cultural and Social Issues & Practices (literature, translation, cinema, advertising, space, everyday activities); Research on the integration of cultural semiotics, data analytics, digital culture studies & creative industries’ studies; Communicative Practices in Social Media Cultures; Semiotic & Media Literacy; Semiotics & New Media; Communication & Social Change; Sociosemiotics & Multimodality; Semiotics, Culture & Brand Communications; Applied Semiotics, etc.
In the tradition of previous Semiosis in Communication (SC) editions, keynote speakers will be some internationally recognized experts in their fields of activity.
Panels (list to be updated)
1. Semiotic of Culture/Cultural Semiotics: New Perspectives
Panel head(s): Peeter TOROP, Department of Semiotics, University of Tartu, Estonia, & JulietaHAIDAR, National School of Anthropology and History (ENAH), Mexico City, Mexico
Names and works of Jakob von Uexküll, Juri Lotman and their colleagues, the founders of world-renowned Tartu-Moscow school of semiotics, form the cornerstone of the Department of Semiotics at the University of Tartu. Since then, starting from the work of these titans of semiotics, the Department of Semiotics of the University of Tartu made tradition and has become one of the most important centers of semiotics in Europe, with deep roots for cultural semiotics and biosemiotics.
In this respect, cultural semiotics offers the theoretical foundations required for answering a series of questions that concern the contemporary world (Posner, 2004), such as: How do the signs, sign processes, and sign systems of a culture differ from non-cultural (i.e., natural) signs, sign processes, and sign systems? How do the interpreters of cultural signs differ from those of natural signs? What determines the identity and boundaries of a culture? What relations do different cultures have to each other within the semiosphere? How does cultural change originate?
The discussion topics within this panel will attempt to address such questions, will refer to certain aspects of cultural semiotics, but are not limited to:
-explore and understand different situations and communicative phenomena from the perspective of Lotman’s semiotic theory of culture;
– apply Lotman’s theories to the analysis of diverse cultural phenomena;
– compare different sign systems and analyse the processes of translation between them.
2. Reflecting social change in European media
Panel head: Evangelos KOURDIS, School of French Language and Literature, Aristotle University of Thessaloniki, Greece
The panel will examine the media landscape in Europe in a changing world. How do the big European media outlets project East-West relations within the European Union, Brexit, officially acknowledged minorities, Europe’s involvement in global warfare and cultural affairs? What are the intersemiotic/intermedial techniques, the ideological foundations and the new political ideas being disseminated, and how successfully do they affect European citizens? How is European financial and social crisis reflected across various media (television, cinema, ads and TV spots, written and electronic press, radio etc.)?
Topics can include:
– Is there a “European public opinion”?
– Is there a specific brand of “European populism”?
– Europe losing the “moral high ground” in political communication
– Europeanizing the US technoscientific conception.
– Implicit and explicit censorship in the EU
– Contemporary European crisis narratives
3. The Meaning of Artificial Faces
Panel head: Massimo LEONE, Shanghai University / University of Turin Neurophysiology and cognitive psychology, visual history and digital art, artificial intelligence and plastic surgery constitute the daring cross-disciplinary perimeter of the panel, which is meant to be an important step in a major research agenda, awarded an ERC Consolidator Grant in 2019 (FACETS: Face Aesthetics in Contemporary E-Technological Societies, June 2019 – May 2024, 2 million Euros).
Within this perimeter, a specific issue is investigated: the meaning of artificial faces. Whereas the ability to cognitively deal with images is often used as shibboleth to distinguish between humans and algorithms (for instance, in the captcha test), this distinction is more and more challenged by advancements in artificial intelligence. Since 2018, generative adversarial networks have been given the task to create from scratch facial images that do not correspond to any ontologically present faces. The realism of these “artificial faces” is quite impressive, and often induces human observers to adopt a rhetoric of awe: machines too are attributed the uncanny ability to create images of faces, with such a level of realism that seems to match that of nature itself. Recent experiments with the animation of these “transhuman portraits” add a further level of complexity to the issue of their social reception.
The panel is meant to attract contribution on the semiotics of these and other “artificial faces”. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 819649 – FACETS).
This panel approaches directly the act or phenomenon of communication in the light of semiotic theory. Its purpose is to develop the premises for a semiotic theory of communication. While communication was explored thoroughly in the light of other disciplines, and, as such, understood within the perspective of sociology, psychology, cognitive sciences, cultural studies or philosophy of language, semiotics accounts for communication as an act of signification. As such, communication is not accounted for as necessarily dependent on categories such as social interaction, cognitive abilities or cultural background, but as purely a phenomenon of signification. This is the most theoretically general and open panel.
5. Fake News and Digital Disinformation
Panel head: Alina BÂRGĂOANU, member of the High-Level Expert Group on Fake News and Digital Disinformation, European Commission; Dean of the College of Communication and Public Relations, National University of Political Studies and Public Administration, Romania
The fake news phenomenon gained the spotlight during the 2016 U.S. presidential election and international attention has been drawn to the potential effects of digital disinformation ever since. While fabricating and circulating misleading content is not new, modern technologies, computational propaganda techniques, artificial intelligence, algorithms, and the use of trolls facilitate an alarming fake news proliferation rate (Glaser, 2017). Social media and the Internet allow almost anyone to become a content creator and propagate fake or biased content, even make it viral. While reliance on social media for news and information has risen, and distrust in the traditional news media has grown, the effects of digital disinformation became a focal point of interest.
As the political discourse has rapidly moved online to target a broader part of the electorate, preserving the democratic dialogue online and popularizing fact checking among the general public are mandatory stepping stones in addressing disinformation. The logic of selective exposure and the data-driven filtering of the information that is included in a user’s social media news stream shape the perceptions of reality in the post-truth era and maintain online media consumers in their own filter bubbles or echo chambers (Smith, 2017), prone to biased and tight perspectives as well as easy victims to fake content. As disinformation became a troublesome force in the digital news media environment, with harsh consequences for democracy (Zengerle, 2016), European institutions, news organizations and tech companies have taken steps to tackle fake news production and disinformation. Given the challenges associated with detecting fake news and mitigating the effects, the panel seeks contributions that address the fake news phenomenon and look into ways to fight disinformation in the 21st century, increase social media utility for democratic discourse, expose disinformation effects in elections and provide media literacy tools.
Topics may focus on, but are not limited to:
– Disinformation, Misinformation, and Fakery;
– Fact-checking in a disinformation era;
– Democracy and digital disinformation;
– Digital algorithms;
– Effects of fake news in the digital era;
– From echo chambers and filter bubbles to personal choices;
– Countering online disinformation;
– Politically biased fake news;
– Computational propaganda;
– Media literacy;
– Hate speech in the new media landscape;
– Regulating big tech.
Keynote Speakers confirmed:
– Marcel Danesi, Director of the Program in Semiotics and Communication Theory and Professor of Linguistic Anthropology at the University of Toronto, Canada – Marcel Danesi is Honorary Guest of the event;
– Susan Petrilli, Professor of Philosophy and Theory of Languages at the Department of Lettere, LingueArti – Italianistica e Culture Comparate (Letters, Languages, Arts – Italian Studies and Comparative Cultures), University of Bari “Aldo Moro”, Bari, Italy; Visiting
Research Fellow at the School of Psychology, the University of Adelaide, South Australia, and Vice President of the International Association for Semiotic Studies (IASS-AIS);
– Augusto Ponzio, Professor Emeritus of Philosophy and Theory of Languages at University of Bari “Aldo Moro”, Italy;
– Paul Cobley, President of IASS-AIS, International Association for Semiotic Studies, Middlesex University, U.K.;
– Peeter Torop, Department of Semiotics, Faculty of Arts and Humanities, Institute of Philosophy and Semiotics, University of Tartu; Estonia;
– Julieta Haidar, National School of Anthropology and History (ENAH), Mexico City, Mexico;
– Massimo Leone, IFK Senior Fellow – International Research Centre for Cultural Studies, University of Art and Design Linz, Wien; Professor of Semiotics, Cultural Semiotics, and Visual Semiotics at the Department of Philosophy, University of Turin, Italy;
– José María Paz Gago, Catedrático de Teoría da Literatura Comparada, Departamento de Letras, Facultade de Filoloxía Universidade da Coruña, España and
– Kristian Bankov, Professor of Semiotics at New Bulgarian University and Department
Chair of the Southeast European Center for Semiotic Studies; Secretary General of IASS- AIS, International Association for Semiotic Studies.
Deadline for submission of Abstracts: 15 th of February 2020 – (you will receive an acknowledgment by email)
Notification of Acceptance: 28th of February 2020
Deadline for participation fee (Early bird): by 27th of March 2020
Conference: 4 – 6 June, 2020
Applications for presentations consist in only one document:
– Title and abstract (max. 300 words followed by 3-5 keywords) with short and relevant bionote (do not exceed 150 words, please) in MS Word format (.doc, .docx). We highly appreciate short, schematic texts.
– Please use the abstract template available on the conference website. You can download the template of abstract directly from the conference website (Abstract_Template.doc)
Co-authored papers are welcome.
Papers are delivered in 30 minutes presentations (20 minutes talk followed by 10 minutes of debate).
Please, submit your proposal to firstname.lastname@example.org or email@example.com within February 15th, 2020. Only one paper for each participant (as a first author) will be accepted.
The official language of the conference is English.
The authors will receive confirmation via e-mail.
Registration & Conference fee
Early bird registration – by 27th of March 2020:
Delegates should pay the conference fee – 100 Euro/participant – after the notification of abstract acceptance. Members of the IASS-AIS benefit of a 20% discount, therefore they will pay 80 Euro/participant. For delegates only attending the conference (without presenting), the fee is 30 Euro/participant.
Late registration – after 27th of March 2020: Delegates should pay the conference fee – 120 Euro/participant – after the notification of abstract acceptance. Members of the IASS-AIS will pay 100 Euro/participant. For delegates only attending the conference (without presenting), the fee is 50 Euro/participant.
The fee includes conference attendance, lunch, refreshments during coffee breaks, conference bag, publication in conference proceedings and in the Romanian Journal of Communication and Public Relations (selected papers only), refreshments during coffee breaks and lunch.
After the payment delegates are required to send the payment confirmation to: firstname.lastname@example.org in order to register for the conference.
More information here.