14th International Doctoral and Postdoctoral Seminar on Musical Semiotics
14th International Doctoral and Postdoctoral Seminar
on Musical Semiotics, Department of Musicology,
University of Helsinki
March 26-29, 2012, at Vironkatu 1, floor 3B, Helsinki
Director of the Seminar: Prof. Eero Tarasti; Co-directors: Profs. Ivanka Stoianova (Paris VIII), Jean-Marie Jacono (Université de Provence)
Languages: English and French
Programme:
Monday March 26 :
Arrival, welcoming reception (buffet) at Vironkatu 1, floor 3B beginning at 6 p.m.
Eila Tarasti (piano): The Icons by Einojuhani Rautavaara (with original pictures)
Tuesday, March 27:
9-12 Opening. Eero Tarasti: From Paris School to Existential Semiotics in Music Analysis
Nearchos Panos: The Musical Topic Lullaby
12-13.30 Lunch
13.30-15.30 Contemporary music
Eduardo Plaza: Intertextuality and “Différance” in the Third Movement of Luciano Berio’s Sinfonia
Alessandro Milia: L’utilisation de Matériaux Musicaux Préexistants : oralité et Aspects Innovants dans le Langage Musical Actuel
Guillaume Deveney: Les nouvelles textualités musicales : Questions d’esthétique et de philologie dans les musiques actuelles
15.30-16 Coffee
16-18 Theories
Paolo Rosato: Traditions, Variants, and Treasons in Performing Arts.Towards Dynamic Notion of Authenticity and Re-definition of Sense. Examples from and Remarks on Rossini’s Barbiere.
Lina Navickaite: Repertoire Choices Within and Without the Performance Canons
Dmitriy Zhumilin: Theosophic Symbols in Scriabin’s “Prometheus”
Wednesday, March 28
9-12.30 Performance studies I
Aurea Dominguez: Character as an Interactive Relation between Performer, Composer and Audience during the Early 19the Century
Julie Walker: Le Dernier style de Chopin: Contexte, Analyse des Oevres et Interprétation Pianstique
Grisell Macdonel: Existential Semiotic explorations on Double bass’ Virtuoso Performance of 19th Century
Marjo Suominen: How Hidden Rhetorical Signs of Thoughts Operate in Performing Handel’s Giulio Cesare in Egitto
12.30-14.00 Lunch
Address: Fabianinkatu 26, Music Hall at Language Center, 3rd Floor
14.00-16.00
Ivanka Stoianova: The Formal Principles of the Work-Totality in Karlheinz Stockhausen’s Licht: Gesamtkunstwerk and Formelkomposition
19.00 Music House Mannerheimintie
Concert by Helsinki Philharmonic
Thursday, March 29
9.00-12.00 Music History I
Tiina Vainiomäki: Musical Realism of Leoš Janáček. From Speech Melodies to a Theory of Composition
Paulo de Tarso Salles: Structure and Meaning on the Sixth String Quartet of Villa-Lobos figures, cadences, form and Xango-style
Walter Nery: Musical Meaning in the “Prole do Bebê No2” by Villa-Lobos
12.00-13.30 Lunch
13.30-15.30 Music History II
Jean-Marie Jacono: Tableaux d’une exposition /de Moussorgski : au-delà de la relation
image/musique.
Julia Shpinitskaya: Erik Bergman: Shaping Sound Through Myth: Cultural Experience and Sound Strategies
Paolo Ribaldini:
15.30-16.00 Coffee
16.00-18.30 Philosophy and Other
Josephine Papst: “Der Gesang der Jünglinge” or How to Travel Through Possible Worlds?
Sari Helkala: Unified Signification Between musical and Linguistic Prosody
Timo Laiho: Time, Perception and Music Analysis: Short Introduction to Analytic-generative Methodology (AGM).
Otto Lehto: The Practice of Liberty and the Performance of Self-Perfectibility: Music and the Virtues of Enlightenment
Lindsey Hoh: Towards and Existential Semiotic Approach to Shamanism
Closure
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